David Bordwell the Art Cinema as a Mode of Film Practice 2008
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· 168 ratings · ten reviews
Starting time your review of The Classical Hollywood Cinema: Pic Way and Style of Production to 1960
A useful survey of Hollywood picture production up to 1960, considering manner, organizational modes of production, and technology, including the effects of technology on style. Occasionally, the writing on style can be pompous and pseudo-intellectual, finding academic-sounding words when elementary words would do.
Hollywood has as well exploited our search for temporal meaning by shaping the felt duration of our experience. Narrative 'rhythm' tin can exist thought of as a fashion in which narration focuses and controA useful survey of Hollywood moving-picture show production up to 1960, because style, organizational modes of production, and engineering, including the effects of technology on style. Occasionally, the writing on style can be pompous and pseudo-intellectual, finding academic-sounding words when elementary words would exercise.
Hollywood has likewise exploited our search for temporal meaning past shaping the felt duration of our feel. Narrative 'rhythm' tin can be thought of every bit a way in which narration focuses and controls successive hypotheses....more
A superb work of great scholarship.
Feb 06, 2017 Nikola rated it it was ok
Incredibly dry out and factual in essence. The authors shy away from any opportunity to clarify the style and the techniques of classic Hollywood filmmaking, choosing instead to argue that nearly everything in the mode Hollywood films earlier the 60s were made was influenced past technological developments and changes.
I see this book equally a historical encyclopedia where the authors act every bit mere chroniclers. This is still a commendable attempt on a larger scale, but reductive and uninspiring one for those w Incredibly dry and factual in essence. The authors shy away from any opportunity to analyze the style and the techniques of classic Hollywood filmmaking, choosing instead to debate that almost everything in the way Hollywood films before the 60s were made was influenced past technological developments and changes.
I see this book as a historical encyclopedia where the authors act as mere chroniclers. This is still a commendable try on a larger scale, but reductive and uninspiring i for those who try to dissect and unpack the plethora of dissimilar stylistic ways in which films convey meaning to the spectator. ...more
I see this book equally a historical encyclopedia where the authors act every bit mere chroniclers. This is still a commendable attempt on a larger scale, but reductive and uninspiring one for those w Incredibly dry and factual in essence. The authors shy away from any opportunity to analyze the style and the techniques of classic Hollywood filmmaking, choosing instead to debate that almost everything in the way Hollywood films before the 60s were made was influenced past technological developments and changes.
I see this book as a historical encyclopedia where the authors act as mere chroniclers. This is still a commendable try on a larger scale, but reductive and uninspiring i for those who try to dissect and unpack the plethora of dissimilar stylistic ways in which films convey meaning to the spectator. ...more
Though I more often than not disagree with the theory Bordwell and Thompson put forward (it's so reductive and a bit ridiculously simplistic), the book does a fantastic job of disseminating this theory; it'southward very convincing, and a very useful book for historical purposes, and learning how to see the narrative processes of the film. Though I more often than not disagree with the theory Bordwell and Thompson put frontward (it's and so reductive and a bit ridiculously simplistic), the book does a fantastic job of disseminating this theory; information technology'south very disarming, and a very useful book for historical purposes, and learning how to see the narrative processes of the film. ...more
The book gives lots of great information nearly this classical period in Hollywood only does it in a disruptive mode. Many of the paragraphs are long and comprehend many ideas, therefore it switches thought and many times without further explanation. I recommend it for the information you can wheedle out of information technology.
Jul xx, 2010 Jessica rated it really liked it
A very interesting, very thorough await at classical Hollywood cinema - although it'south much more focused on the technical aspects than on the lives of the master players. If y'all're interested in Hollywood figures, I would recommend Richard Dyer's Stars for an unconventional look at their lives and touch on. A very interesting, very thorough await at classical Hollywood movie house - although it's much more focused on the technical aspects than on the lives of the primary players. If y'all're interested in Hollywood figures, I would recommend Richard Dyer'due south Stars for an unconventional look at their lives and touch. ...more
Whaddya desire me to say? If you're an aspiring picture scholar and haven't read this (or at least the start department), y'all're doing everything wrong. Whaddya desire me to say? If you're an aspiring film scholar and haven't read this (or at least the first section), you lot're doing everything incorrect. ...more
December 26, 2008 Kellista rated it really liked it
Wordy, but a great resources for anyone who loves or is studying film.
Aug 22, 2008 Greta rated it it was amazing
Detailed study of how a Hollywood film is constructed, much on camera set upward, shots, editing, and narrative structure. Essential.
David Bordwell, Jacques Ledoux Professor at the University of Wisconsin, is arguably the most influential scholar of film in the United States. The writer, with his wife Kristin Thompson, of the standard textbook Pic Art and a series of influential studies of directors (Eisenstein, Ozu, Dreyer) too as periods and styles (Hong Kong movie house, Classical Hollywood picture palace, among others), he has also David Bordwell, Jacques Ledoux Professor at the University of Wisconsin, is arguably the nearly influential scholar of film in the United States. The author, with his married woman Kristin Thompson, of the standard textbook Picture show Art and a serial of influential studies of directors (Eisenstein, Ozu, Dreyer) as well as periods and styles (Hong Kong cinema, Classical Hollywood cinema, among others), he has also trained a generation of professors of cinema studies, extending his influence throughout the globe. His books have been translated into fifteen languages. ...more
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